The chosen subjects for my stone lithographs are part of my previous study and development of compositions based on cubist inspiration.

Once again, violins and lively abstracts are in continual mutation and evolution. The imperious black in opposition to white makes the curves seem raging and dazzling as well as the sudden cuts which dominate the whole.

On the contrary, the sweetness of the female figures is depicted by the sinuosity of the curves and above all by the lack of breaches and sharp corners in the most palpitant works.